The Brunswick Tiara
Victoria Louise wears the Brunswick Tiara (Grand Ladies Site) |
Today’s sparkler, the Brunswick Tiara, is an all-diamond diadem from the collection of the former royal family of Hanover. But although we know who currently owns the tiara, there are major questions about who its original — possibly famous — owner might have been.
Empress Josephine, ca. 1812 (Grand Ladies Site) |
Many tiaras have been tied, both correctly and incorrectly, to Napoléon’s first empress, Joséphine de Beauharnais. (You can read about many of them here.) The Brunswick Tiara is one of those pieces, but proving that it really belonged to Joséphine is challenging. One particularly important piece of evidence may exist: a portrait. On her website, Ursula argues that the portrait shows Joséphine wearing the Brunswick Tiara.
Unfortunately, the website doesn’t include an image of said portrait itself; instead, two portraits by Robert Lefèvre featuring Joséphine wearing another similarly-shaped diadem are included. (Ursula also cites a document from the National Archives in France that purportedly lists the cost of the tiara.) It’s certainly possible that the portrait in question does show the tiara, but even if we could scrutinize it, using a painting to conclusively prove that Joséphine owned the piece is tough. The combination of possible artistic license and later changes to the tiara would ultimately make it challenging (though not impossible) to come to a solid conclusion about the tiara’s roots.
A closer view of the tiara’s design (Sean Gallup/Getty Images) |
The design of the tiara does resemble pieces made during Joséphine’s lifetime. The tiara uses many of the motifs favored by the French court during the empire era, including the laurels that drape across the top of the tiara and the delicate geometric scrolls across the central part of the piece. Precisely how Joséphine’s tiara is supposed to have traveled from France to Germany is unclear, although members of her family did marry into various German royal families. The most we can say, I think, is that maybe Joséphine owned the tiara (and maybe she didn’t).
Victoria Louise and Ernst August III (Grand Ladies Site) |
By 1913, the tiara had made its way into the possession of Moritz Elimeyer, the Saxon court jeweler. The tiara was not in pristine condition; predictably, some of the larger diamonds were missing from the piece. But the damaged diadem was exactly what Adolf Hartwieg, a Brunswick state official, was looking for. He had been tasked with finding a suitable wedding present that could be given to Princess Victoria Louise of Prussia, the daughter of Kaiser Wilhelm II, to celebrate her marriage to Prince Ernst August III of Hanover, the future Duke of Brunswick. The tiara, though in need of repairs, fit the bill.
Victoria Louise wears the tiara (Grand Ladies Site) |
The tiara was refurbished by the Brunswick court jeweler, Hermann Jürgens, and given to the princess on the day before her wedding. Victoria Louise was apparently delighted with the gift, and she wore the tiara both as a young woman and in her old age, long after the monarchy had been abolished in Germany. On her death in 1980, the tiara stayed in the family, and today is owned by her grandson, Prince Ernst August V. (Another of Victoria Louise’s tiaras, the Prussian Tiara, passed through her daughter’s descendants and now is in the collection of the Spanish royal family.)
Caroline wears the tiara (Sean Gallup/Getty Images) |
Unseen for many years, it was feared by some that the Brunswick tiara had been sold by Ernst August. But in 2004, his second wife, Princess Caroline of Monaco, unexpectedly turned up at the Danish crown princely wedding wearing the tiara. So far, this is the only time that Caroline has been seen in the tiara, and it seems highly unlikely that we’ll find her wearing it again, as she and her husband have lived apart for some time.
Ekaterina (in the family’s floral tiara) and Ernst August Jr. on their wedding day (RONNY HARTMANN/AFP/Getty Images) |
A more likely future wearer, I think, is Ekaterina, the new wife of Prince Ernst August V’s eldest son — who, like every other eldest son in the line, is also named Prince Ernst August. Ekaterina wore the family’s magnificent diamond floral tiara for her wedding last summer and carried it well. The Hanoverians are sometimes invited to various royal events, and here’s hoping that Ekaterina will bring out the Brunswick for one of those sometime in the future!
The Swedish Malachite Parure
Jonsson, Kerstin/Nordiska museet |
The Swedish royal jewel collection is enormous — so vast, in fact, that a century ago the family decided to donate an entire parure of unusual royal jewels to a museum! Today, we’ve got a closer look at that set: the gold and malachite parure that originally belonged to Queen Desideria.
Landin, Mats/Nordiska museet |
The parure was made some time during the 1820s or 1830s by Simon Petiteau, a Parisian jeweler who catered to high-society clients. One of these was Desiree Clary, the wife of Jean Baptiste Bernadotte. She had once been engaged to Napoleon Bonaparte, but she eventually married Bernadotte, who was one of Napoleon’s most trusted military generals. Although she didn’t marry an emperor, it turned out that Desiree married a king: Bernadotte was elected heir to the Swedish throne in 1810. Unhappy in her new Scandinavian home, Desiree moved back to Paris, and the suite of jewels was probably made during the period when she lived there without her royal husband.
Landin, Mats/Nordiska museet |
But Desiree was finally wooed back to Sweden by her husband and son, and she was crowned Queen Desideria in 1829. The suite of jewelry, which is made of gold and malachite stones, features design links to the Bernadottes’ new regional home. Many of the malachites are carved with mythological images after the work of the Danish/Icelandic sculptor Bertel Thorvaldsen.
Landin, Mats/Nordiska museet |
The malachites are set in intricate gold designs, including leaf and floral elements. The necklace features four different shades of gold, helping to emphasize the dimensional nature of the jewels. Malachites were extremely fashionable stones for use in jewelry during the nineteenth century.
Landin, Mats/Nordiska museet |
The parure consists of several pieces, including a tiara and comb (wearing the two together was fashionable during the first quarter of the nineteenth century), a necklace, two bracelets, a large brooch with pendants, and a pair of earrings. Above, you can see the large brooch and the earrings, one of which is missing its pendant section. Note that the pendants of the brooch have been left as smooth cabochons, unlike most of the rest of the malachites in the suite.
Landin, Mats/Nordiska museet |
Here’s a closer look at the complete earring. I don’t believe we have any extant photographs or portrait paintings of any of the Swedish royal ladies actually wearing this suite, which is too bad — I’d love to see how the jewels look on an actual wearer.
Landin, Mats/Nordiska museet |
Although no portraits seem to exist, the jewels belonged to three queens of Sweden. When Queen Desideria died in 1860, the malachite parure was included in the inventory of her jewels. It was bequeathed to her daughter-in-law, Queen Josefina; the set was also listed in her jewel inventory following her death in 1876. The last royal owner of the suite was Josefina’s daughter-in-law, Queen Sofia. After her death in 1913, the royal family decided to give the parure to the Nordic Museum, Sweden’s largest museum of cultural history. The museum, which is located in Stockholm, received the suite of jewels (and its elaborate red case) in May 1914, and it has been in their collection ever since.
Landin, Mats/Nordiska museet |
Perhaps it’s for the best that this design treasure was sent to a museum, where it could be studied and enjoyed by the public at large. But I can’t help but wish that some of the jewelry innovators of the current generation of the Bernadottes, including the clever Queen Silvia, had had the chance to take a crack at wearing these!
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